17 plugins for the parts of a mix that take the most time.

Rides the vocal level before the chain, to an absolute target or a set distance above whatever is on the side chain, and writes the ride to an automation lane.

A vocal channel strip for Logic Pro: high-pass, de-esser, EQ, compressor, shimmer, reverb, delay and width in one window, each with a fader and three characters, plus loudness metering and a level-matched bypass.

Up to four harmony voices from the lead vocal in the singer's own voice, following a key and scale or the notes on a MIDI track, with a SOLO per voice for printing them to their own tracks.

Turns the music bus down in the bands where the vocal on the side chain is sounding and the music is too close to it, only as much as needed and only while the vocal is there.

Retunes the body of a kick drum and leaves the click alone. Reads the drum's pitch glide, moves the body by cents or to a note, zero latency.

An instrument that plays a kick drum tuned to the note you play, with pitch glide, click, sub and drive.

An instrument for 808-style mono bass, with a slide between overlapping notes, a decay envelope, harmonics, drive and a lowpass.

Kick against bass on one screen: the notes of both, who owns each low band while the kick sounds, kick body against the beat, and per-band ducking of the bass under the kick.

A ducking envelope synced to the song tempo or started by the kick on the side chain, with a fit to the measured kick and an option to duck only the low end.

A transient designer that adds or removes attack and sustain independently of level, on the full signal, the lows or the highs.

A plain digital equaliser with up to 16 bands, each on its own channel (stereo, left, right, mid or side), with dynamic bands and Track bands that follow the pitch of a bass, an 808 or a voice.

Saturation in four characters with one drive knob, auto-gain, and low and high cuts that keep part of the spectrum clean.

Gives every hit its own random place in the stereo field, away from the centre and mostly alternating, and repeats the same pans on every playback.

One instance per group bus. Holds each group a set distance from another group as heard, kick as the anchor in most styles, with style ladders, a slow narrow ride, Freeze and Bake to a static trim. Every window shows the whole ladder, and a masking view shows which groups collide in which bands.

An analyser for the mix bus that says whether the mix will reach the target loudness cleanly and, if not, where the peaks come from.

A clipper and true-peak limiter on the master, driven by a loudness target, with AUTO to set the gain that lands on it.

Loudness-matched A/B against a reference track, with the band differences, PLR and width of both.